Back-To-School Reading From Pinkwater, Roskos, and Rowell

Sep 062014
 

Here in the U.S. kids are heading back to school after summer break. I’d like to share a few books about artistic young people to go with the back-to-school theme.

Wingman by Daniel Pinkwater tells the story of a young artistic boy who embarks on imaginative and daring adventures to escape his hostile, hateful elementary school.

Dr. Bird’s Advice For Sad Poets by Evan Roskos is the story of an enxious, depressed high-school student who sseeks solace in Walt Whitman, photography, and hugging trees.

Fangirl by Rainbow Rowell is the story of Cath going off to college to become a fiction writer, only to find that making friends, creating, and simply surviving day after day are too much. I especially love the characters in this book. I find a tremendous amount of heart in Rowell’s novels.

If you’re not into books written for a younger audience, maybe it’s a good time to revisit a favorite from years ago. Perhaps a book, album, play, or painting comes to mind that meant a lot to you when you were young. Take a little time to go back to a fond experience to renew yourself.

4 Tips To Find More Time

Apr 302014
 

Everyone I talk to about doing artistic work raises the topic of needing more time in the day. “I’m so busy–how can I squeeze in my creative pursuits?” Here are some quick tips that may help.

1. Give Up Something

Choose a specific activity that you will give up to make time for your creative work. Maybe you don’t need to watch all 162 games of your favorite baseball team. Maybe you can give up that committee you’ve been volunteering on for nineteen years. It’s not that these are bad things, but sometimes you need to say no to other activities to make room for your creative work.

What you are telling yourself: “I am doing my work. My work matters as much as everything else in my busy life.”

2. Handle Distractions

The phone ringing, the kids doing kid stuff, noise from outside, your sore left knee. The dirty dishes and the dirty laundry and the plant by the window that needs watering. And there’s always something to look at on the Web. Immersing yourself in creative work will require you to block out the world for a while.

Then there are the distractions from within. “My boss was such a pain today.” “Maybe I’m no good at this writing thing.” Whatever thoughts arise that are not contributing to your work, let them float away down the stream of consciousness.

For most people, the earlier in the day you start your creative work, the fewer the distractions. If getting started early is available to you, give it a try.

What you are telling yourself: “It’s hard to do my work with such a busy life, but I am equal to these distractions.”

3. Create Every Day

Pick a time and place where you’ll work every day. Tell the other people in your house, “I’m writing each morning before I get ready for work.” Hang up a sign to remind you and others of your plan.

If you want to create in a fulfilling way, you need to put in the time and attention. There are no shortcuts. Getting to your work every day will help you move from dabbling to creating.

You may need a transition period if all you can manage are a few minutes per day. Even a little time and space each day is a good start. If you can begin to spend a little more thought and effort on creating, then you’re heading in the right direction.

What you are telling yourself: “My artistic work demands a great deal of time and brain power. So I will show up to work every day.”

4. Plan A Project

Let’s say you show up at your chosen time and place to do some writing, You will also need a concrete idea of what you will write. You will need a form and a goal. Think in terms of describing your current project to others. “I’m writing a short story, a dark suspense thing.” “I’m writing an article about the need for improvements to the parks and playgrounds in the south half of town.” “I’m working on the second draft of my novel.”

This goes for other types of work too. A musician practices honestly when she can state her aim for that session with her instrument. An artist works with focus when he knows what he is painting.

Treat “to create” as a transitive verb, always needing an object. What specifically are you working on?

What you are telling yourself: “I know what I am working on. I’m not just creating–I’m creating something.”

Moving On

When you put tips like these to use, you are sending a message to yourself and others that your work matters. Most of us have time in our hectic lives to get our creating done. See if you can use a few of these ideas to get more momentum behind your artistic work.

Sometimes life is just too busy, and there truly is no time to give to your creating. If that is your situation, be patient, and look for opportunities to simplify other parts of your life so you can get to your creative endeavors in the future.

Social Media, Other Mothers: Q&A With Sally Kuhlman

Nov 172013
 

Sally Kuhlman is a blogger, writer, and social media sage. The more I read stuff on her websites, the bigger a fan I become.

I recently met Sally at a deep writing workshop in San Francisco as we’re both working on book projects. She’s a smart and friendly person who has a lot of wisdom to share with writers, musicians, and other artistic people looking for a boost on the business and online side of things.

Q: What kinds of services do you offer for businesses and entrepreneurs?

I provide consulting services to businesses and nonprofits in marketing and social media. When necessary, I start with getting organizations set up on social media, I then teach them how and why to use it. I work with them to build awareness, create and manage online communities around their businesses, organizations and causes. I also offer project management services for newsletters, blog updates, and social media management. In addition, I offer business brainstorming services where I meet with business owners and brainstorm ideas to build more awareness around their business and to help them determine and stay focused on their goals. I also wrote an ebooklet for stressed out, busy people called The ABCs and 123s of Getting Stuff Done.

Q: How did you get started in this work?

Years ago I was working as a virtual assistant providing project management and marketing support to small businesses and nonprofits. As social media emerged I jumped on the bandwagon and brought my clients with me. Over time my business evolved in to a full time social media consulting business.

Q: Do you work much with creative and artistic people?

Yes, I have worked with many creative and artistic types. I’ve worked with jewelry designers, artists, coaches and authors.

Q: What are some common struggles you see with the business side of the artistic life?

The main struggle I see for artists is their lack of desire to focus on the business side of things. Artists love to make art and be creative, they often don’t love bookkeeping and marketing so much. I recommend creative types in business to either schedule in a few hours a week to focus on their business or if they can afford it to outsource the administrative and marketing side of their business so they can focus on what they do best. There are some wonderful virtual assistants out there that can be incredibly helpful and affordable.

Here are some VA sites:

Q: What tips do you have for artistic people to make the most of their online presence?

I say go for it! Create a public Facebook page and a Twitter page, put your stuff out there and get to know people. An artist who does an excellent job at this is Tamara Holland, author of How To Start Making Your Art Your Business.

Tamara is the owner of Bean Up The Nose Art and is very active online:
Facebook and Twitter

q: What do you write about in your blog, “Sally Around The Bay?”

I originally started the Sally Around The Bay job to get myself out of the house and on adventures. Sally is a play on words. The definition of sally is to go out on an excursion or adventure, it also happens to be my name. My blog was my own personal Yelp! in the early days, now it has become more of Sally’s rambles. I often blog about tips and tricks for social media but I also use the blog to ponder my thoughts on life about things such as marriage equality, homelessness, commuting by bus, etc.

q: You’re writing a book on the topic of “other mothers.” What is the book about? What has been the most exciting part for you writing this book?

The book is about a common thread of feelings found among women who feel they don’t fit in the “traditional mom” box and often feel like outsiders in the world of motherhood. Whether stepmothers, adoptive moms, lesbian moms or other, these moms have unique feelings when it comes to raising children, which very few people talk about. The most exciting part of writing the book has been connecting with other women and hearing their stories. I have been blown away by some of the amazing women I have interviewed.

Where to find Sally:

Tools And Rules That Help, But Only A Little

Nov 082013
 

I like to think of creativity exercises as short-term tools. They’re not really solutions in themselves, but they can break habits, build habits, and help the heart and mind break away from malaise.

I’m talking about creativity exercises such as: think of a color, then write down ten objects that have the color. Then write a story plot using those objects. Or, take a musical phrase and play it in all twelve keys, then play it backwards in all twelve keys. Sure you could write a story or a piece of music this way, but usually the process is much more imaginative than that.

It reminds me of my religious life from many years ago. People would really get into the rules and procedures of prayer, but it seemed rare that anyone actually achieved a prayerful life. I might not have it right, and maybe folks were experiencing something far more substantial than what I saw. But it seemed to me that prayer was usually about certain physical acts, like closing eyes, bowing heads, folding hands or linking hands with others. It was about words, lots of tedious words, despite Jesus’ teaching on that subject. And Jesus also taught that praying in public places was a waste of time, yet folks seemed so into saying verbose prayers in public almost any chance they got.

Something similar goes on with musicians and writers. One of the hardest things for me when I’m teaching music lessons is to help a student simply relax and fall into playing music. There’s always lots of discussion about buying more instruements and accessories, even though the student already has too much stuff. It seems like the idea of playing music is more appealing than the actual experience of it. I think it seems like the work that goes into learning an instrument holds some kind of dread. It might go back to how nasty and boring our assignments were in school as kids. It might have to do with something similar with parents, with religious education and services, how we’re taught as kids to dread the stuff that everyone says is so important.

By the way, if you are reading this and you have taken lessons from me, please don’t think I’m describing you specifically. Almost all the music students I’ve had over the years have struggled to find happiness in making their music.

For writers, there are exercises and books about writing. There’s worry about writing. There are all kinds of classes and activities around writing, even finishing an MFA. All useful in some ways, but I think the best attitude is to see all that as short-term. Those are little tools to help get things started, but you’re not writing until you’re writing. Just write. Go ahead. If you don’t know what to write about, then wait. Take a walk. Don’t think about it, just wait. Don’t worry, you’ll get some ideas sooner or later.

I recently ran across a mention of Brian Eno and Peter Schmidt’s “Oblique Strategies” cards. I heard about them many years ago, and it’s a very cool idea. You pick a card, and it points you to some new direction for your current work. Here are some examples:

  • A line has two sides.
  • Do nothing for as long as possible.
  • Question the heroic approach
  • Ask people to work against their better judgement.

(This text came from http://www.rtqe.net/ObliqueStrategies/Edition1-3.html)

I’ve never actually owned a set of these cards, but the idea is enough for me. Just do something different, change the monotony, or repeat the unpredictableness, or just launch out into some place. Go eat a sandwich. Go find an animal to say hello to. Think inside the box. Think outside the box. And then eat the box.

Practical Prose: A Conversation With A Would-Be Writer

Oct 022013
 

So you want to become a writer?

Yeah. I think I’d like that.

What writing have you done?

Not much, just some stuff that isn’t too serious.

Are you writing anything now?

Yeah, a few pieces that I have in various stages.

What are those pieces?

I’m not sure. Just some thoughts, some ideas. Like I said, nothing serious.

But writing is serious work, even if it’s not serious content. Can you get a little more definite about what you want to work on?

Hmm, well I guess I’m not very decisive about it. I’m not sure how to get more definite or specific.

I like that word “decisive.” That’s what I’m getting at. You’ll need to decide a lot of things as a writer.

Sure. I’ll need to delete words, choose words, rewrite without getting bogged down in indecision.

Yes. You’ll also need to choose what you are working on. In other words, you need to have a very clear, practical project in mind. For example, which of these sound interesting to you: A memoir, a novel, some short stories, magazine articles, or a non-fiction book?

Hmm. Definitely not a non-fiction book. I’m not interested in a biography or historical study or anything like that.

OK.

I was thinking of something more literary. A novel or short story.

What about a memoir or some kind of personal essay?

Maybe, but I’d be tempted to spend time explaining mydself, defending myself. I think writing anything like a memoir would just bring out lots of paranoia.

Makes sense. So you’re thinking something literary?

Yeah, like writing novels.

What kind of novel?

I like sci-fi, but there’s so much out there.

Well sure, but let’s not worry about a marketing angle right now.

(Laughs) OK, but I like the idea of creating worlds that are really strange. I like sci-fi, though I’m not sure if I could pull off something that could get beyond the stupid old robots and space ships thing.

Are there other genres where you create weird worlds?

Sure, fantasy is a big thing with me too, and lots of people like that.

That sounds like more marketing. You’re not going to earn an income from this. At least not at the start. You need to do some writing, pay some dues and so on.

I’m just trying to get to something specific, like you said.

Fair enough.

Fantasy could mix with other stuff. There are lots of urban werewolf things, vampire things, stuff set in present times. I have something like that in mind, something where I take the ordinary world and make something strange and amazing happen.

How about this. Instead of a world, can you make it much, much smaller?

Hmm. sure, like a very small town. When I was a kid we lived in this little town of about two thousand people. Lots of farmers, lots of old worn-down little factory buildings. It was very quiet and pretty boring, but you could get a lot of reading done.

Could you start writing with that, something with that quiet little town?

Maybe. I don’t know where it would go. It’s not a novel.

You can’t think up an entire novel in a few minutes. You can get a starting point, like a little town. Or you could have a very basic plot idea, like the queen of England is actually from another solar system.

Sure, well I could start with the town and see where it leads. I think that makes sense. Use a little town as a seed and see what I can imagine.

Exactly. Just live in it every day. Even if it’s just for a few minutes, live in that fictional place and let your imagination grow it out.

yeah, that sounds good. I’ll try that and see how it goes.

What To Do When You Have A Notion For A Novel

Oct 212012
 

Writing workshops. Writers’ groups. Online courses. Masters of Fine Arts programs. Writing books full of writing exercises. Writing coaches and creativity coaches. Blogs. Dictionaries, thesauruses, and grammar books..

With all these great resources available, you’d think that our society would be over the top with prolific and enthusiastic novelists. So why is it that very few people who want to write a novel can’t get it done?

I recently read a great little book by Walter Mosley called This Year You Write Your Novel. Mosley is a successful novelist with many books to his credit. And he put everything he knows about writing novels into this useful little book. You should give it a read if you’ve ever had a notion for writing a novel.

Day By Day

The title is kind of bossy, right? This year you get the job done, no messing around. Getting started is tough, and finishing is tough. But if you have an idea and a willingness to write, you better just get started.
Stop thinking about writing and start writing.

Mosley emphasizes the importance of showing up and staying at your writing every day. There are no shortcuts, and no one is going to hand something to you. If you want to produce something good, you need to spend the time and brain power on the task. Mosley says that ninety minutes a day is the minimum amount required, and I wouldn’t argue with that.

Writing every day isn’t just about dedication. According to Mosley, your subconscious mind needs continuity to do its best creating. When you keep heading back to those characters, that scene, that plot and that other subplot, your imagination can stir around the story without breaking momentum. It’s like a musician rehearsing–you don’t practice for a week, and you’ve got some ground to make up.

Step By Step

Mosley talks through the practical steps of writing. Get started, don’t stop to revise and edit until the entire draft is done. Then revise and revise and on and on. You’re done when you keep trying to make it better, but you make it worse instead. That’s when you know it’s as far as it’s going to go.

The book also explains basic techniques of novel writing. Metaphor, simile, dialog, scenery, plot, point-of-view, showing rather than telling, etc. If you’re not familiar with these things, this book is a good place to start.

Again, it’s like a musician practicing her techniques. As you use the tools and methods of novel-writing, you’ll get better at them. There are no writing exercises in Mosley’s book. He says that writing the real stuff is the best practice you can get.

What Happens Next

Mosley finishes the book with an overview of the publishing business. He describes the roles of agents and publishers, and how a book deal is made. Again, the process is explained, but you’ll have to try it and fail at it in order to eventually get better at it.

There’s no certainty of success here. No one can hand you a step-by-step guide to getting your first novel published. Some writers are lucky and others are not. Putting in your best effort for one year will get you a solid draft, and that’s as far as Mosley’s book promises to take you.

A book about writing should be brief and to the point. You have an itch to write, then get going. Understand the tools and techniques of the trade, and then start showing up for work every day. If that sounds good to you, take a little time to read Mosley’s book. Then off you go.

See the book at Amazon

Journaling For Time Travelers

Aug 032012
 

We all get stuck in artistic quicksand from time to time. That bored, uninspired, pessimistic fog can creep in and mess with the imagination. What do you do when you find yourself saying things like this?

  • I feel blue and uninspired about what to work on next, but I don’t know why.
  • I have no motivation.
  • I don’t have any good ideas left.
  • the project I just finished was a huge success, and I got lots of positive feedback on it–so now I feel gloomy and discouraged about the future for some illogical reason.
  • My last project was a flop. I don’t feel like going through that again, but I want to work on something.

There are lots of things you could do to get yourself motivated and inspired. You might take some walks. Maybe talking about your struggles with a friend helps you get unstuck. For a lot of people, journaling is one of the best exercises to clear some debris and undergrowth from the creative path.

Journaling? Really?

Maybe the idea of journaling sounds frivolous or boring to you. You might say, “Look, I’m not the type of person to write a hundred pages about how being a third-born sibling set me back fifteen years in my emotional development. And I’m not about to write out some plan for what I will do every day for the next five years. The last thing I want is some homework assignment to take up what little time and energy I have left.”

OK, none of us wants a boring burdensome introspection project, fair enough. But I actually have something simpler in mind. For me, journaling is writing down your reflections about yourself and your experiences over some time in order to maintain a broader perspective on yourself. It’s just using the act of writing to orient yourself so your moods and problems don’t completely cloud over your view of things. I’m suggesting that you simply spend time regularly reflecting and writing about yourself.

If you’re feeling stuck or uninspired right now, then start writing down your thoughts about that. Use the pen or keyboard to bring some order and logic to the problem. No deep self-psychoanalysis necessary, just getting your mind a little more focused on what you want to do about your quicksand.

Here are some practical steps for getting started with journaling:

  • Next time you’re at the drug store pick up one of those 100-page composition books that kids use in school. The smaller ones with fewer pages are great so you don’t feel like you have lots of blank paper that you need to fill up.
  • Pick a specific time and place to journal every day for a few days. Mornings are often a good choice, because that is when your mind is rested and not yet cluttered with the irritations and stresses of the day.
  • Just write. You can ask yourself questions. You can talk to yourself. You can just write silly rhymes and weird musings that pop into your mind, if that is helpful or meaningful. No one else needs to read this, so just write what you need to write.
  • Go into it with no expectations. The journaling might be a waste of time, or it might change your life. Everyone’s experience will be a little different. Try not to expect anything–just see what happens.

You don’t need to make journaling an intense, life-long commitment. I personally don’t like to journal much, but I do find it helpful from time to time. There’s no “should” here–just try it if you think it might be useful, and forget it if it doesn’t do much for you.

Time Traveling

Try one of these prompts to get your words flowing:

Travel to the past: Think of someone from your past that is one of your heroes. What advice would this hero give you for today?

Travel to the future: Imagine a conversation with your future self–maybe yourself five or ten years from now. What wisdom and encouragement would you get from conversing with your future self?

Give it a try for a few days. Jot down a few paragraphs every morning for the next week or so, letting your past heroes or future self offer some advice and perspective.

And, while we’re talking about time travel, allow me to recommend my favorite time-travel novel, Borgel by Daniel Pinkwater. This little novel is no longer in print as a stand-alone, so you might need to look for a used copy to buy. Or, you can buy it as part of Pinkwater’s Four Fantastic Novels collection. Or, you can listen to the free audio book at pinkwater.com.

The Attitude Of Abandon

Feb 202012
 

Imagine a bunch of kids in a backyard football game. They play for the pure fun of the game. The game is not a means to an end–just a pleasure in itself. None of them think about the status and wealth that comes to the most gifted athletes. They play because it’s fun to play. The kids abandon all thoughts except the game itself, losing themselves in the moment of the action.

Lose Yourself

How can an artistic personality bring an attitude of abandon to his work?

  • Lose track of time. Set up your schedule so you have some blocks of time to just hang out with your work. Find an afternoon or evening where you don’t have to think about the next thing coming up in an hour. Even better, set up a regular time. “Every Saturday night I stay up late with my sculpture work.”
  • Lose yourself in space. Find a comfortable place where you feel good doing your work. That place might be a typical work area, such as a library or home studio. It might be an unusual place, such as sitting in your car in the park, or on the steps leading up to the attic. Find a place where you can get lost in your work without interruption, even if that means negotiating some spatial boundaries with others in your home.
  • Lose yourself in the work. Produce without worrying about marketability. You can decide which finished pieces you will send out into the public later. First things first–just work and forget everything else. Your imagination has enough material most of the time. It only needs you to struggle through the hard work of choosing, creating, revising, and finishing.

Play games

Give your imagination some freedom, let it run off its leash for a while.

  • A poet who is stuck might try to write the worst poem possible, or she might try writing a love poem to an earthworm.
  • A musician struggling with an intense piece of music could try playing a few lines backward or in a silly rhythm, just for some comic relief.
  • An actor might parody himself, or imitate his cat performing Shakespeare.
  • A novelist could imagine a plot where a large rock is elected prime minister of Canada, and how that would bring about world peace. Or perhaps a story where scientists discover that the number eighty-two doesn’t really exist.
  • An artist could draw cartoons of giant forks and spoons having a dance in the kitchen.

Though these are silly suggestions, there is a serious side to the attitude of abandon. Sometimes the intensity of artistic work makes a soul miserable. Sometimes a creative person holds to tightly to her project. She tries to hard, worries too much about outcomes, and suddenly the joy of the work turns into resentment and harsh self-criticism.

For the artistic personality that feels discouraged or stuck, letting go with the attitude of abandon can help break up the ice around the imagination. What are some things you can do to grow the attitude of abandon in your creative endeavors?

Writers Who Protect Their Darlings

Sep 062011
 

The cliched advice for writers is to “murder your darlings.” I won’t get into the origination and historical background of this quote here. You can Google it up for yourself. The principle behind the cliched quote is that if you like a piece of writing, you cannot judge it objectively, and thus you cannot improve it or know when it is ready for public consumption.

I take the opposite approach. I write what I like, and I have to like something for it to feel finished and ready. If I find something I’ve done entertaining or touching, that is one step toward being a solid piece of finished work.

Here’s a blog entry where writer Wendy Palmer agrees with me on this.

I must admit that the cliche is partially valid–you do need to balance your personal feelings with objective evaluation by yourself and by others. For example, Frank herbert used some form of “elfin features” a zillion times in his classic sci-fi novel Dune to describe one of his main characters. When I read this novel for the first time, I giggled every time I saw this pathetic darling phrase show up. herbert needed to murder this lame phrase and find five other ways to describe this characters face. The novel really needed to do without referring to the vague qualities that “elfin” tries to convey.

It’s a good question for any artistic work. Where is your balance between pleasing yourself and creating something with objective quality?

What do you think? Leave a comment to let us know your experiences with your darlings.

Joseph Girzone: One Great Idea is All You Need

Jul 132011
 

I just read Joseph Girzone’s 1983 novel Joshua for the first time. The novel tells the story of a mysterious, Jesus-like prophet who appears in a small American town. The plot is simply, what would happen if Jesus showed up today?

I enjoyed the book, with its heart-warming stories and religious confrontations. I’m not a religious person today, but I was in the past, and I can appreciate the clever idea of the book. It’s like backwards historical science fiction for religious people, bringing a figure from the past into a late twentieth-century American town.

In this book Girzone shows that you need one simple idea to create something that touches people, as long as that idea is true and good. When I started reading the book, I thought, “Oh man, how far can this guy stretch this Jesus in America thing?” But he pulls it off.

Apparently Girzone wrote Joshua after retiring from the Catholic priesthood. Now that’s encouraging. You can start a successful writing career in your sixties–at least, if you can find a great hook and a hungry market.

If you’re not interested in religion or God talk, this might not be worth a look. But if you have had religion as part of your life, Joshua will be a quaint and encouraging read.